Everything You Can Imagine is Real’: Poetry, the Real and the Surreal
Pablo Picasso once said, ‘Everything you can imagine is real.’ On this course we will aim to explore the full range of poetry’s approaches, from realistic representations of the world to highly surreal visions, which engage the full power of the imagination.
We will look at poets who write realistically on a range of subjects, from the family to the animal kingdom, the world of work to the life of the city, considering the way in which approaches such as observation, description and narrative can generate emotive poems.
We will also consider the way in which surreal poems create a joy, often simply by the nature of the strange things they show us. Even better, we will look at the way in which surrealistic visions and imagined scenarios can illuminate the realities of our emotional lives, allowing us to see more clearly as things get stranger.
Whether you’re keen to unleash the imagination more fully in your poems, or to give your visions a greater grounding in reality, this course will provide a range of strategies to allow your poems to sing with the weirdness of the everyday and the normality of the fantastic.
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Tutor: Jonathan Edwards – Poet Jonathan Edwards’s first collection, My Family and Other Superheroes (Seren, 2014), received the Costa Poetry Award and the Wales Book of the Year People’s Choice Award, and was shortlisted for the Fenton Aldeburgh First Collection Prize. His second collection, Gen (Seren, 2018), also received the Wales Book of the Year People’s Choice Award. His poem about Newport Bridge was shortlisted for the Forward Prize for Best Single Poem 2019, and he has received prizes in the Ledbury Festival International Poetry Competition, the Oxford Brookes International Poetry Competition and the Cardiff International Poetry Competition. He has read his poems on BBC radio and television and at festivals around the world, recorded them for the Poetry Archive and led workshops in schools, universities and prisons. He lives in Crosskeys, South Wales. |
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Guest, Wednesday evening: William Letford – Poet William Letford published his first collection of poetry while working as a roofer. Since then, his work has been adapted into film, projected onto buildings, carved into monuments, adapted for the stage, written onto skin, cast out over the radio, performed by orchestras, and translated into French, German, Latvian, Slovakian, Arabic, and Spanish. He has helped restore a Medieval village in the mountains of Northern Italy, taught English in Japan, fished with his bare hands in Indonesia, been invited to perform in Iraq, South Korea, Lebanon, Australia, Germany, India, Palestine, Poland, and many more countries. |
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| PRICES |
Fee includes all day and evening tutored workshop sessions, readings, accommodation and full board (not including alcohol). Single – En-suite room £860 |
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| TO BOOK | £150 deposit payable on booking by bank transfer, PayPal or cheque, to secure place. Balance due four weeks before the start of the course/tutored retreat/untutored retreat. Please see Terms and Conditions. |
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| INCLUDED |
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| WHAT TO BRING |
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| START TIME |
Please arrive between 3:00pm and 4:30pm on Monday 25th April 2022 Tea, cake and housekeeping notes 4.30pm Introductory Workshop 5.30 – 6.30pm Dinner 7.00pm |
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| END TIME |
After breakfast, 10:00am on Saturday 30th April 2022 |
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| LOCATION | The Garsdale Retreat, Clough View, Garsdale Head, Sedbergh, Cumbria LA10 5PW Nearest railway station: Garsdale, on the Leeds – Carlisle line. For directions, see Find Us section on the Contact page. |
Courses
The Garsdale Retreat provides an inspiring place to develop as a writer. Our courses offer opportunities for new, emerging and experienced writers. The tutors, all professional writers, lead workshops and also give one-to-one tutorials to help the individual student. In the remote and beautiful setting of The Yorkshire Dales, The Garsdale Retreat gives a wonderful opportunity to escape from the daily stresses of life and to draw inspiration from fellow students, tutors and the landscape itself.
All courses start on Monday afternoon, arrival time 3.00 – 4.30pm. On this first day, tea, cake and housekeeping notes are at 4.30pm followed by an introductory/ice-breaking workshop 5.30 – 6.30pm. Dinner is at 7.00pm. All courses end after breakfast on Saturday (10.00am).
Course Structure
Although there will be slight variations, according to the type of course (see below), students can generally expect the following outline:
8.00 – 9.00am: Breakfast
9.30 – 11.00am: First workshop – Students explore particular aspects of the chosen genre and take part in writing exercises to further their understanding and expertise. All students have opportunities to share their work with the tutor and fellow writers in a safe, supportive and nurturing environment in which individual work is respected and confidence developed.
11.00 – 11.30am: Coffee break
11.30am – 1.00pm: Second workshop
After lunch, participants are free to do whatever they like, such as: relax, go for walks, enjoy The Dales, draw, paint, read or work on individual writing projects.
4.30pm: Tea and cake
5.30 – 6.30pm: Third workshop
7.00pm: Dinner
All students have one individual tutorial of 30 minutes with the tutor in the course of the week which usually takes place at a mutually agreed time, usually in the afternoon.
Each evening, at about 8.30pm, there is an after-dinner event. The precise nature of this varies according to the type of course but participants can typically expect a tutor reading on Tuesday followed by a reading from a guest writer on the Wednesday evening. There is an informal activity on Thursday such as a word/literary game. On Friday, there is a reading of work produced during the week.
Poetry Course Anthology
An integral part of poetry courses is the production of an anthology of writing produced in the week. It is, of course, accepted that the writing is essentially work-in-progress. However, the aim of the anthology is to reflect a flavour of the work accomplished on the course and to provide participants with an attractive record of their time at Garsdale. The Retreat stores copies of anthologies in the library, providing pleasure and inspiration for future students.
Tutored Retreats
These follow the same basic structure as above except there is only one workshop in the morning 9.30 – 11.00am and participants will have a daily 30 minute tutorial, four per week.
Untutored Retreats
The only formal structure of the week is determined by meal-times (see above), allowing participants to concentrate totally on their own writing. After dinner, participants in conjunction with the course director sometimes organise evening read-rounds of their work /open mics/music /word games. However, participation in such events is entirely voluntary and people are free to continue with their writing in the evenings if they prefer.
