Clare Pollard – Tutor
Tutor
Fleur Adcock – Guest Reader
Guest Reader
27th April – 2nd May 2020
Course Date

In this course we will read and write poems that make the ordinary extraordinary through the medium of poetry. We will consider poems of domesticity, family and work, and look at strategies for celebrating and commemorating our everyday experiences.

Open to all, the course will offer both writing activities and feedback on poems-in-development.

Tutor: Clare Pollard – Poet

Clare Pollard has published five collections of poetry with Bloodaxe, most recently Incarnation, and a pamphlet, The Lives of the Female Poets, with Bad Betty Press. Her play, The Weather (Faber) premiered at the Royal Court Theatre. Her translations include Ovid’s Heroines, which she toured as a one-woman show, and a co-translation of Asha Lul Mohamud Yusuf’s The Sea-Migrations which was The Sunday Times Poetry Book of the Year in 2017. She edits Modern Poetry in Translation. Her latest book is Fierce Bad Rabbits: The Tales Behind Children’s Picture Books (Fig Tree)

Guest, Wednesday evening: Fleur Adcock – Poet

Fleur Adcock was born in New Zealand but spent the years 1939-47 in England and has lived in London since 1963. Her books of poetry, all published by Bloodaxe Books, are: Poems 1960-2000 (2000), Dragon Talk (2010), Glass Wings, (2013), The Land Ballot (2015) and Hoard (2017).

She has also published translations from Romanian and medieval Latin poetry, edited several anthologies, including The Faber Book of 20th Century Women’s Poetry, and written libretti and texts for a number of musical works. In 2006 she was awarded the Queen’s Gold Medal for Poetry.

Photo: Jemimah Kuhfeld

PRICES Fee includes all day and evening tutored workshop sessions, readings, accommodation and full board (not including alcohol).

Single – En-suite room £805

Single – Shared bathroom £755

Shared Room (2 Beds) £705pp

Non-residential (inc. lunch and evening meal) £565

TO BOOK £150 deposit payable on booking by PayPal, bank transfer or cheque, to secure place, balance due six weeks before start of course.
Please see Terms and Conditions.
INCLUDED
Accommodation Professional tutor and mid-week guests
All Meals Sheets & Towels
WHAT TO BRING
Boots/outdoor shoes/trainers suitable for walking on rough paths.
A waterproof jacket or coat.
Torch
Warm Clothes
Toiletries – we do have one hair dryer available
Writing materials: your personal writing preference – laptop, paper, pens etc.
USB memory stick: for printing your work. (We do have air printing so may not be necessary)
Musical instruments and drawing/painting materials – sketchbook, pens, pencils, watercolours etc. (optional!)
Cash: for books written by the tutors, alcohol or sundries. The nearest cash machine is in Hawes, six miles away.
START TIME

Please arrive between 3:00pm and 5:00pm on Monday 27th April 2020

Tea and cake 4.30pm

Introductory Workshop 5.45 – 6.45pm

END TIME

After breakfast, 10:00am on Saturday 2nd May 2020

LOCATION The Garsdale Retreat, Clough View, Garsdale Head, Sedbergh, Cumbria LA10 5PW
Nearest railway station: Garsdale, on the Leeds – Carlisle line.
For directions, see Find Us section on the Contact page.

Courses

The Garsdale Retreat provides an inspiring place to develop as a writer. Our courses offer opportunities for new, emerging and experienced writers. The tutors, all professional writers, lead workshops and also give one-to-one tutorials to help the individual student. In the remote and beautiful setting of The Yorkshire Dales, The Garsdale Retreat gives a wonderful opportunity to escape from the daily stresses of life and to draw inspiration from fellow students, tutors and the landscape itself.

All courses start on Monday afternoon, arrival time 3.00 – 5.00pm. On this first day, tea and cake are at 4.30pm followed by an introductory/ice-breaking workshop 5.45 – 6.45pm. Dinner is at 7.00pm. All courses end after breakfast on Saturday (10.00am).

Course Structure

Although there will be slight variations, according to the type of course (see below), students can generally expect the following outline:

8.00 – 9.00am: Breakfast

9.30 – 11.00am: First workshop – Students explore particular aspects of the chosen genre and take part in writing exercises to further their understanding and expertise. All students have opportunities to share their work with the tutor and fellow writers in a safe, supportive and nurturing environment in which individual work is respected and confidence developed.

11.00 – 11.30am: Coffee break

11.30am – 1.00pm: Second workshop

After lunch, participants are free to do whatever they like, such as: relax, go for walks, enjoy The Dales, draw, paint, read or work on individual writing projects.

4.30pm: Tea and cake

5.30 – 6.30pm: Third workshop

7.00pm: Dinner

All students have one individual tutorial of 30 minutes with the tutor in the course of the week which usually takes place at a mutually agreed time, usually in the afternoon.

Each evening, at about 8.30pm, there is an after-dinner event. The precise nature of this varies according to the type of course but participants can typically expect a tutor reading on Tuesday followed by a reading from a guest writer on the Wednesday evening. There is an informal activity on Thursday such as a word/literary game. On Friday, there is a reading of work produced during the week.

Poetry Course Anthology

An integral part of poetry courses is the production of an anthology of writing produced in the week. It is, of course, accepted that the writing is essentially work-in-progress. However, the aim of the anthology is to reflect a flavour of the work accomplished on the course and to provide participants with an attractive record of their time at Garsdale. The Retreat stores copies of anthologies in the library, providing pleasure and inspiration for future students.

Tutored Retreats

These follow the same basic structure as above except there is only one workshop in the morning and participants will have a daily tutorial, four per week.

Untutored Retreats

The only formal structure of the week is determined by meal-times (see above), allowing participants to concentrate totally on their own writing. After dinner, participants in conjunction with the course director sometimes organise evening read-rounds of their work /open mics/music /word games. However, participation in such events is entirely voluntary and people are free to continue with their writing in the evenings if they prefer.

Poetry- Poems of the Ordinary-Everyday